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Hajdú Folk Dance Ensemble:Keeping the Spirited Tradition of Hungary (In Hungarian)
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Today’s A Journey
through Aesthetic Realms
will be presented
in Hungarian,
with subtitles in Arabic,
Aulacese (Vietnamese),
Chinese, English,
French, German,
Hungarian, Indonesian,
Japanese, Korean,
Malay, Mongolian,
Persian,Portuguese,
Russian, Spanish
and Thai.
Greetings happy viewers,
welcome to
A Journey through
Aesthetic Realms
on Supreme Master
Television.
Situated in Central Europe,
the Republic of Hungary
has been a major
world cultural center
for centuries.
The creativity of Hungary
is reflected by
the renowned composers
it has produced
over the years such as
Franz Liszt, Béla Bartók
and Zoltán Kodály.
The highly spirited
Hungarian traditional
dances are deeply rooted
in the nation’s
rich folk music history
and are yet further
examples of the vibrancy
of Hungary’s arts heritage.
The widely celebrated
Hajdú Folk Dance
Ensemble, which
has been performing
around the globe
since 1953, is based in
the beautiful Hungarian
city of Debrecen.
Since its founding
the Ensemble
has garnered 25 awards
on national and
international levels
including the prestigious
Hungarian state
Csokonai Vitéz Mihály
Community Award,
and the European
Folk Art Prize.
Recently the Ensemble’s
director Zsuzsa Tiszai
and program organizer
Bálint Rózsavölgyi
kindly took time
from their busy schedules
to speak with our
Supreme Master
Television
correspondent about their
wonderful dance group.
Let us now hear from these
two talented individuals.
I have been dancing
since I was about
eight years old
up to this day,
but now I spend less time
on the stage.
There are a lot of
young people, and
I let them dance instead.
In 1994, when we
took over the Ensemble,
this young man beside me
was really young
at that time,
and he belonged to
the first generation
who then danced in the
Ensemble’s adult group,
and how wonderful it is
that 16 years have passed,
and he is still here
and dancing.
And using his
professional knowledge,
he is helping us
organize programs.
I have been helping
with organizing
since 2002, 2003.
For four years,
I was also leading
one of the junior groups,
so I was involved
in the professional work
as well, and since then
my main task is
organizing performances
as well as
conducting foreign trips.
Since its establishment,
thousands of dancers
have been trained
by the Hajdú Folk Dance
Ensemble.
Members wholeheartedly
practice together 10 or
more hours per week
and typically meet
after work or school.
The Ensemble
was founded in 1953,
so we have passed
over half a century,
and I think we are
one of the few ensembles
– and I think
we can be proud of this –
that didn’t have any break,
we didn’t have
a deep nadir but we were
developing continuously
with a steadily
growing membership,
a continuously growing
repertoire and fields
of operation.
So, there have been
a lot of people,
a lot of generations here
all this time.
And maybe the secret
to us still being here
and working beautifully
is that these generations
passed on to each other
both their knowledge
and also the traditions
which have developed
within the community.
So we have traditions
within the Ensemble
that have been the same
for the past 50 years
and this gives enormous
power for a community.
Ms. Tiszai now
kindly introduces how
the Ensemble is organized.
We have
two kindergarten groups,
we accept children
from the age of three.
We have a senior group
of those who used to be
active dancers before,
and they reunited
as a group.
So they meet every week,
they have
regular rehearsals,
and they even perform
on stage.
So they are the so-called
older age group, and
what is also very good
in my opinion is that we
have a HAJKEFE group,
and let me translate that
quickly.
It’s the abbreviation of
Hajdú Adult Beginner
Group, and this is a group
where practically
anyone can join.
If I count everyone,
there is around 400 of us.
We have
two kindergarten groups;
we have junior, adult,
senior and
the HAJKEFE group.
Our group leaders come
from our Ensemble also.
So we don’t bring
professionals from colleges
and different places,
but basically,
right now we have
over 10 group leaders
working for
the entire Ensemble,
which is needed too
for the 400 people.
And without exception,
all of them
grew into this tradition
and they grew up
in the Hajdú Folk Dance
Ensemble and
they can pass this on.
We hold an audition
each year for the children.
Usually we visit
elementary schools so that
whoever would like to try
can apply.
Usually there is
an audition period towards
the end of August or
the beginning of September,
and also basically
the children of those
who used to dance, or
the classmates in schools
who hear and see how
important and serious
this hobby is that
their classmate is doing,
and they also
feel like trying.
Each year the Ensemble
stages some
100 performances,
most of which
are done free of charge.
On one hand, of course
there are programs which
we organize ourselves,
our own theater shows.
Besides this,
there are festivals, which
are either by invitation or
we apply to participate
but these are
very important within
the profession of course,
both the national and
international ones also.
We often do
a “dance house” or shows
for disabled children
and adults.
Also, there are
certain festivities
where we have to, and
we want to, participate
purely because of our
Hungarian nationalism,
for example
a March 15 celebration.
After this brief message,
we’ll be back with more
about the Hajdú
Folk Dance Ensemble
from Debrecen, Hungary.
Please stay tuned
to Supreme Master
Television.
Welcome back to
A Journey through
Aesthetic Realms
on Supreme Master
Television
featuring the Hajdú
Folk Dance Ensemble
from Hungary.
Hungarian folk dances
are festive
group celebrations
characterized by colorful
traditional costumes,
cheerful music,
and energetic
and joyous movements
by the dancers.
The Ensemble repertoire
is derived from the work
of the initial founders
of the group
and the knowledge
imparted by elders
living in a region that
once was part of Hungary.
Since 1953,
the first generations
of the Ensemble
usually had to learn,
had to create these basics
which could be built on
further afterwards.
But thank God,
when Zsuzsi took over,
on one hand they sourced
from this tradition,
on the other hand
we visited numerous,
numerous so-called
informants, which
in our terminology means
that we went to villages
in Transylvania (Romania)
where those elderly people
are still alive
who learned the dances
of their village from
their own grandparents.
Actually they cannot
dance anything else but
only those dances that
are typical of their region,
that specific village.
And in the early 1990s
there were still
plenty of villages
where you could find
such elderly people
that you could talk to.
They sung for us,
we could record the way
they were dancing,
the way they dressed up
on a Sunday
to go to church.
Unfortunately dancing
has frayed a lot since then.
Even in villages,
traditions are vanishing
more and more,
and dancing also,
as it is not an easy art,
and the music bands are
also vanishing constantly,
so there are less and less
good dancers out there,
but we still
try to seek them out.
And basically up to this day
we still go… for example
we take all of our children
in the groups somewhere
in Transylvania,
for them to experience it.
So the culture
that we convey to them
during rehearsals,
they must experience it
in its origins,
that community,
that village, those people,
those traditions.
And I think
that this will definitely
be incorporated
in their dance
and they will excel more
on stage even
because of this.
Through these groups
going back to these villages,
the youngsters there
feel more inclined
to learn the dances
of their grandfathers.
There is really
an interaction, and I think
this is important too.
To share
this precious folk art
with those abroad,
the dance group conducts
an international trip
every year.
Usually we organize
a foreign trip for
the Ensemble every year.
The Hajdú Folk Dance
Ensemble has been
to almost every country
in Europe already.
And outside of Europe
we have been to Egypt,
Âu Lạc (Vietnam),
South Korea, Japan,
the United States
of America, Canada,
Mexico, Brazil, Tunisia,
and this year
the Ensemble is preparing
to go to Algeria.
The success
of the Ensemble
is rooted in its
constructive philosophy
and the members’ love
for dance itself.
We asked
Bálint Rózsavölgyi
about the message
of Hungarian folk dance.
I think the message of
the dance is unchanged,
so its message is
the same as it used to be,
as it developed
back in the old times
in the villages.
I think it means
that this is belonging
to a community.
This is what it teaches,
it gives you something extra
that neither family,
nor school can give.
I think basically this is
the message of dance.
That we can do and
create something together,
and that we can create
something in a process
in which
everyone feels good
and feels that they are
a constructive part of it,
especially through
an informal
learning process
that gives everyone
an overall picture
of their own history
and traditions.
The secret is in what
Bálint just explained,
the community.
And traditions for us
not only exist in a way
that we preserve
our own traditions and
the deepest traditions of
Hungarian dance culture,
but it is also reflected
in the generations
passing down
their own traditions,
from one to the other.
And this is very, very good
as we have had
such customs established
which we still uphold
even today,
so the community is not
only within the rehearsals,
that we learn a dance
and then it’s over,
but we also get together,
we celebrate New Year
and Easter together.
Mr. Rózsavölgyi has
this parting thought
for our viewers.
I think perhaps
the most important
is to learn to
belong to a community,
and this community
shouldn’t be your school
or university or family.
Not because
these are not important,
but because you will not
get that extra from these
that might be missing.
You may not know,
may not feel
that this is what
you might be looking for,
but most likely,
or certainly, you will
only be enhanced by this,
your own personality,
if you learn to be
comfortable and have fun
in such a community.
Our sincere thanks
director Zsuzsa Tiszai
and program organizer
Bálint Rózsavölgyi
for sharing with us
the splendid story
of the Hajdú Folk Dance
Ensemble and
its mission to preserve
the beautiful Hungarian
traditional dances.
May the effervescent arts
and culture
of the gentle-hearted
Hungarian people
be known by others
far and wide.
For more details
on the Hajdú Folk Dance
Ensemble,
please visit
Caring viewers, thank you
for your company today
on A Journey through
Aesthetic Realms.
Up next is
Vegetarianism:
The Noble Way of Living,
after Noteworthy News.
May we forever live
in joy and peace under
the omnipresent blessing
of our Creator.
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