Today’s
A Journey through
Aesthetic Realms will be
presented in Turkish,
with subtitles in Arabic,
Aulacese (Vietnamese), Aulacese (Vietnamese),
Chinese, English,
French, German,
Hungarian, Indonesian, Hungarian, Indonesian,
Italian, Japanese,
Korean, Mongolian,
Persian, Portuguese, Persian, Portuguese,
Russian, Spanish
and Turkish.
We come from a culture
with multiple roots.
During the Hittite period,
the mud was shaped
in the best possible,
the most beautiful way.
In the works that
we create, we are
inspired by the Hittite
and Phrygian forms.
Welcome,
exquisite viewers, to
A Journey through
Aesthetic Realms
on Supreme Master
Television.
Turkey has a continuous
history of ceramic arts
dating back to as long as
8,000 years ago.
During the Hittite
Kingdom in 1400 BCE,
the making of pottery and
ceramic ware reached
an unprecedented height.
Its influence on the design
and manufacture is
still evident on Turkish
earthenware today.
Blessed with an artistic
heritage and rich resource
of raw materials, the
Turkish ceramics sector
has grown tremendously
in the past decades, with
quality merchandises
exported to
many countries
around the world.
In today’s show, we will
visit a family-based
workshop named
Güray Seramik, located
in Cappoadoccia,
central Turkey.
It is operated by
5 master artesans and
a team of
70 supporting specialists.
Let’s meet
Mr. Tamer Kankal,
master of ceramics
and manager of
Güray Seramik.
I would like to welcome
you in the name of
the Güray family.
We have been
in the business of the art
of pottery and ceramics
for around 200 years,
conveying this art form
and introducing it both
in and outside the country.
We also have
the pleasure of meeting
the ceramic master
Mr. Aydin Afacan,
painting artist
Mr. Noyan Yayla,
as well as master of red
and white clay ceramics,
Mr. Suat Aldağ.
Hi, my name is
Noyan Yayla.
I was born in İstanbul.
I studied at
Marmara University,
Fine Arts Faculty,
but I started painting
thanks to my father.
My father, I think,
is an important painter;
his name is Uğur Yayla.
I started at the age of 12
with my father’s
encouragement.
And I have been doing
this job for 16 years.
The first step in the art
of making pottery
and ceramics
is to prepare the clay.
In this part of
the workshop, they are
working on preparing
the red mud pie.
It is stirred in pools
shaped like this with
water, then kneaded and
remolded until
it becomes like dough.
After it is put to rest
for three, four days,
this mud comes out
inside this machine.
The stones inside this
are crushed.
And later,
our mud is put through
inside this machine.
The purpose here is to
get rid of the air bubbles
inside.
The mud from which we
took away the air bubbles
comes out like this.
And then, this mud,
inside of plastic bags,
so it can go through
some kind of fermentation,
is kept for about
three, four months.
After several months of
storage, the mud pies
can be used for shaping
various styles of pottery
products on a lathe.
There are
various techniques
for pottery making.
One of them is
the mold method.
We are using the plaster
as the mold.
One of the most
important characteristics
of this is that
it absorbs the water.
This plate that
our master created,
along with its mold,
is put aside
so that it can dry out.
At the end of these
two days, our plate
is separated from
its plaster mold.
And later, it is left alone
to dry by itself naturally,
for about 15 days.
And these products that
are put to rest are later
baked in the oven at
950 degrees [Celsius].
The difference between
pottery and ceramics
consists of both
the starting materials
and the process of
creating them.
Let me give you
some brief information
regarding how we obtain
the white mud which
we use in the making
of the ceramics.
The most important
difference that
distinguishes it from
the red mold
is the various minerals
that we add inside.
The two most important
ones are quartz
and china clay.
Quartz makes the product
more durable
after the baking and
improves its quality.
China clay is the material
that gives the white color
to this clay.
Off the lathe,
the ceramic objects are
allowed to dry for 3 to 4
weeks instead of 15 days.
Then they are baked
for 8 hours in the furnace
at 1040 degrees Celsius,
90 degrees higher than
the temperature used
for pottery.
Another 8 hours are needed
for the heated products
to cool down slowly
in the oven.
The baked artifacts are
checked to screen out
imperfect items
before being passed to
the decoration artists.
First, the pattern
is roughly outlined
on the plate.
This is freehand work.
Later, there is
the coloring process.
Here, clay-based paints
are used.
These products are
coated with a material
called glaze.
Inside this glaze,
there are materials
such as granulated glass.
As you can see,
the pattern lays
beneath this glaze.
And, it is baked again
for the second time
at 950 degrees.
And here, this material
which we call glaze
melts down and becomes
transparent, thus
forming this glassy layer.
Due to the quartz
which is in the mud,
and the quartz which is
the glaze,
after the baking process,
our products become
much more durable.
The richness of Turkish
ceramic arts is reflected
in the colors, patterns,
and forms of the products.
The colors,
we will see at first,
are blue and white.
And these are works
which date back
from the Seljuk period.
It is cobalt blue.
In nature,
it can easily be found.
Colorful works can be
classified as gillyflower,
tulip, rose motifs, tree of
life motifs, and later on,
16th and 17th century
Ottoman miniatures.
Images on the ceramics
represent symbolic elements
found in religion,
custom or history.
Every shape that is drawn
on the plates,
on the works,
has a meaning.
Gillyflower is the flower
that represents Heaven.
Tulip is the traditional
flower of Turkey.
And rose is a story which
tells that our prophet’s
skin smelled of rose.
When it comes to
the tree of life, it is
a plate that represents
family, longevity,
and also abundance.
This side represents
the father, and this side
represents the mother,
and this is a pattern that
represents children,
generations.
And Ottoman miniatures
are the works on which
the court life of
the sultans are depicted.
The aesthetic forms of
each object are often
associated with
important folklores.
Most of the things
we work on are actually
urns, pitchers, jugs
which were used
in past mythologies.
I think one of the most
beautiful work of arts
that this culture produced
is the form known as
Hittite Sun
or the God of Sun,
one of the most important
deities that
the Hittites believed in.
In religious ceremonies,
at rituals and at the altars,
they offered drinks to
the gods using these forms.
The road to become
a master of pottery
or ceramic art
has many requirements.
One starts around
age 10 or 12.
It takes 4 to 5 years
before an apprentice is
allowed to practice
at the workbench,
if the master deems the
student is very promising.
In the next 4 to 5 years,
the student learns from
the master’s
special techniques.
Overall, it takes about
10 years for an apprentice
to become a master.
What are some
of the traits that a
professional earthenware
artist should have?
Actually, you do not
need to have a special
education to do this.
It’s just that you really
should want to do this
because this job requires
us to practice all the time.
You also need to have
some visual talent.
Learning, collaborating,
and sharing of inspiration
and knowledge are
catalysts for creativity.
These occur
on a continuous basis.
During my time
with the students, while
I am teaching them
the lathe, I am also
learning myself.
Apart from that, the place
we are in now is a store,
a family that is open to
all kinds of forms.
We discuss what
we can do altogether.
We try to find a solution
together.
The pottery and ceramic
art masters describe
their special feelings
about the profession.
I am very relaxed,
I mean the way I see life
is also like this.
It is a very enjoyable job.
You are working with
a material which is
limitless and
three dimensional.
I am very peaceful and
relaxed because it is
a job that gives pleasure.
The gracious
Güray Seramik team sends
their warmest regards to
Supreme Master
Television viewers.
For your interest
in our special products,
our special culture,
we would like to say
thank you.
I wish you
happiness and success.
If you want more
information or want to be
visually satisfied better,
you can visit us.
Our many thanks,
Mr. Tamer Kankal,
Mr. Aydin Afacan,
Mr. Noyan Yayla,
and Mr. Suat Aldağ,
for introducing to us
the fascinating Turkish
pottery and ceramic arts.
May you continue to
preserve your precious
traditional artistic heritage,
creating unique and
exquisite products
which add beauty
to the lives of many.
Friendly viewers,
thank you for
your wonderful presence
on today’s A Journey
through Aesthetic Realms.
Up next
on Supreme Master
Television is
Vegetarianism:
The Noble Way of Living,
after Noteworthy News.
May your tranquil
moments be showered
with heavenly inspirations.