Halo creative viewers,
and welcome to
A Journey through
Aesthetic Realms
on Supreme Master
Television.
Today and
in the following week,
we will present
a two-part series featuring
the age-old and cherished
American tradition
of quilting.
Quilting, or sewing
several layers of fabrics
together to make
a padded material,
has been practiced
as far back
as the 1st century.
Since European settlers
brought the practice to
the American continent,
it has become part
of everyday life,
evolving through
many generations
of quilters into a form
of artistic expression.
The Pajaro Valley
Quilt Association
was founded by a group
of women in 1978,
and has become
one of the largest guilds
in the United States
with over 400 members.
Its mission is to encourage
the art of quilt making
and quilt preservation.
The 32nd annual
quilt show
of the Pajaro Valley
Quilt Association
was held in Watsonville,
California, USA.
Hi, thank you
for having me here.
My name is
Mike McNamara.
I go by Mac.
I'm the president
of my guild.
It's a great guild.
We have great traditional
quilt makers and a lot of
innovative quilt makers
and it's a great mix
of people and we have a
wonderful, beautiful day
for our quilt show.
The quilt show features
a dazzlingly rich array
of colors, patterns,
and textures.
Each piece is the product
of thoughtful planning,
diligent acquiring
of materials, and
hours of working with
concentration and love.
Every quilt
has a unique story.
My name is ellen edith
and I specialize in telling
funny family stories
in quilt form.
So for instance this is
Grandmother Ellen,
and she was a wonderful
very vivacious
young grandmother,
and she taught us
how to walk on stilts.
And I like to
use vintage pieces,
so I actually
used a real apron
that she made and
I took the little pocket off
that she had made on her
treadle sewing machine,
and I handmade it down
to scale, so this apron is
a vintage piece off an apron
she made for herself.
It’s like
a wonderful memento
of my family for me.
Quilting as an American
cultural tradition
stemmed out of necessity,
as small groups of settlers
traveled across
the harsh wild plains.
Sandy Shikiuma, the founder
and first president
of the Pajaro Valley
Quilt Association,
shared with us a quote
from the letter
of a pioneer woman
which poignantly
describes this aspect
of their lives.
“We made our quilts
as fast as we could
so our families
wouldn’t freeze and
as beautiful as we could
so our hearts
wouldn’t break.”
And that’s what it’s about.
Women traditionally
quilted out of need,
because you needed
to provide bedding,
you needed to make
something utilitarian.
I look back
when my grandma
was a quilter, she was
making bed quilts and
that’s what you did to
keep your family warm.
Over the centuries,
quilts found their way
from bed tops to walls
as their purpose
developed from
being purely practical
to also being artistic.
So I think that
it’s gone a long way.
And just in the
last 35 years, especially
since early 70s, it really
has taken off as far
as individual expression.
People started designing
their own quilt pieces
and making it
something different
and really looking at it
more as an art.
I started a children’s quilt
with some brightly
colored scraps.
And I just made a bunch
of these units which are
called the “four patch”
and sewed those together.
And then this is called the
“half-square triangle”
and I made
a bunch of these.
And then I just started
playing around and
making different designs.
So I just brought this
as an example.
But if you turned this,
this way, you get
a totally different effect.
So you can play around
until you come up
with a design you like.
Here’s another example
of what you can do with
“half-square triangles.”
And then here are
the same exact ones,
arranged a different way.
Our show on quilts
and quilting will continue
after these messages.
Please stay tuned
to Supreme Master
Television.
I put a lot of fun in them,
a lot of heartfelt meaning
in my quilts.
And I think of the person
I'm making them for
and I say, “I think
she's going to enjoy this.”
Welcome back to
A Journey through
Aesthetic Realms
on Supreme Master
Television.
Today, many people
in the United States
and abroad
have found quilting
to be a wonderful outlet
for creativity,
a source of social support
and friendship, a sense
of accomplishment,
relaxation and joy.
Ms. Sandy Shikiuma,
the founder
and first president
of the Pajaro Valley
Quilt Association,
recounts how her group
was formed.
I belonged to
a small quilt group,
twelve women; we met
in each other’s homes.
There was an article
about my group
in the paper,
and so many of us
were stopped on the street,
“Oh, can I join
your quilt group?
I just have been looking
for something like that.”
So I got the idea to
have some public group,
where everybody could
come and get together
and talk about quilts
and quilt making.
And it took off from there.
I was the first president.
I’m so proud of
how it has developed.
Many of the quilters
of the Pajaro Valley
Quilt Association
have a long family tradition
of quilt making.
My great, great
grandmother,
we finally found out
that not only did she sew
and make clothing,
she also dyed fabric.
My grandmother quilted,
my mom stitched,
and my aunt quilted.
I actually thought
everybody quilted,
I was so shocked
when I discovered that
everybody didn’t quilt.
So the quilts have always
been in my life.
Other members
of the quilt association,
however, were newcomers
to the art form.
It has really brought out
the inner creative me.
My background is nutrition,
and it’s a real leap
to go from
the science of nutrition
to being a creative artist,
a fiber artist.
So I think
I’ve grown tremendously.
To me it was just wonderful
to come into
a group of women
that were so creative, and
we shared this interest.
And it’s been
on many levels
really enriching.
It is important to note
that not all quilters
are women.
I don't think of people
being men or women,
we're all just quilt makers.
And I just
happened to say,
"I can make one of those."
And I made a quilt
back in 1976
and my mom said, “Well,
let's get this old machine
fired up,” and I've been
making quilts ever since.
Mr. Mike McNamara
enjoys surprising
his friends by
making quilts for them.
They only find out
when they read the tag
next to the finished quilt.
Gita is a wonderful woman,
a dear friend of mine.
She really enjoys blue
so I put a bunch
of blue fabrics together
for her quilt.
And I used a technique
that I learned from
Nancy Crow which is
called curved piercing.
And curved piercing is
where you literally take
curved pieces of fabric
and sew them together,
iron them out
and they lie nice and flat.
And it's a technique
that I teach as well and
it's a whole lot of fun.
So I really tried
to make my curved
piercing technique
even more pronounced
by taking long pieces
of fabric and curve
piercing them together,
instead of just short pieces
which is easier to do.
And then I used
this technique called
magic square where
you just cut up a square
such that you interlock
these pieces,
and I just added those
along the bottom,
large whole cloth pieces.
And then
you have a piece like this
which is a leftover, these
goofy little dandelions.
They're actually supposed
to be singing because
on the back of this quilt
that I made, you can see
the dandelions singing
and that's just the back
of the other one.
I thought it was really
kind of fun because
instead of looking like
they're singing, they look
they're screaming because
they came out too early
because they're
in this frosty Arctic
frozen tree landscapes.
I just like the juxtaposition
of fun like that.
From traditional
to whimsical,
simple to complex,
the possibilities in quilting
are endless.
This quilt was honored
“Best of the World”
at the Mancuso Brothers’
2009 Annual
World Quilt Show.
I am Meri Henriques Vahl.
This is my quilt,
“Flower Market
at Chichicastenango
Guatemala.”
I made this
inspired by two trips
that I’ve taken there.
It’s all laid out
on fabric batting and
just cut with scissors.
Some of the pieces
are Guatemala textiles,
some of them are pieces
of old Guatemalan belts
and huipils,
those are the blouses that
the women there wear.
This would be a huipil.
And you just
take different pieces and
lay them out and when
you’ve got your design
the way you want it, you
put a piece of black tulle
over it which is
a very fine netting.
You put a lot of pins in
to hold everything in place
while you then work on it
with free motion quilting.
And after that,
any stitching you do
basically is trapping
whatever fabric
you’ve put there.
So you don’t have to
exactly sew on it.
This was a piece of fabric
that I had,
that had big roses on it,
but it also had little flower,
so I cut hundreds of them
out, put them down here.
I ended up
going around the flowers,
which actually brought out
more colors in them
than was there originally.
This border is pieced out
of Guatemala fabrics
and in triangles.
One growing trend
in the world of quilting
is that creations
are made to be both
useful and artistic.
This is well reflected in
the genre of wearable art.
My name is Rachel Clark,
and I got into
doing garments
because I do clothing.
And when
I was doing clothing
I would miss
the quilt making, and
when I do the quilt making
I would miss the clothing.
So one morning
I just decided
why not marry the two?
And so I just
do clothing using
quilt making techniques
to create garments.
This is what happens
when you walk into a store
and you see fabric.
Now, I walked in
and I saw this wonderful
brown and turquoise, and
they had three pieces.
So I bought three pieces
and I said, I want to
make myself a tiered skirt.
And then, I said, Okay.
When I make
the tiered skirt, I always
make the big shirt.
But I said, But this time,
I’m not going to
make the big shirt.
I’m going to make a capelet
to go with it.
So I made the capelet
to go with it.
I went into another store,
and they had more
brown fabric and turquoise,
so I thought,
Why not go ahead
and make the big shirt?
Now, I’m looking at this
thinking, well,
you know what,
I still have a pile
of that fabric left.
So I thought,
why not make a purse?
So, I made a purse,
to wear it.
Now, I thought it was just
a little bit over the top.
But, I went to a quilt show,
and I carried the purse,
I wore the shirt
and the skirt.
But then that evening
I got a little cool and
I threw my cape over,
and I would say
it was a little over done.
But people kept
coming up to me saying,
“Oh! That looks fabulous.
What pattern did you use?”
So, I’m not sure that
you could overdo stuff
for quilters!
We thank the Pajaro Valley
Quilt Association
and all participants
at the quilt show for
brightening our world with
your charming craft that
is so full of love and joy.
For more information
about the Pajaro Valley
Quilt Association,
please visit
Graceful viewers,
thank you
for being with us today
on A Journey through
Aesthetic Realms
on Supreme Master
Television.
Please join us next week
as our program continues
with more about
the fascinating American
tradition of quilting.
Up next is
Vegetarianism:
The Noble Way of Living,
after Noteworthy News.
May the path of your life
be adorned
with smiles and blessed
by God’s love.
With an ever growing
demand for
eco-friendly cars,
manufacturers across
the globe are working
on innovative solutions
and are presenting
their latest models on
prestigious exhibitions.
For Chevrolet, our focus
is delivering vehicles
that are gasoline-friendly,
all the way to gasoline-free.
And we employ
a few key technologies:
improving internal
combustion engines,
the use of biofuels, hybrids,
hydrogen fuel
cells electrification
of the vehicle.
Join us Friday,
May 14 on
Golden Age Technology
for part two of
Supreme Master Television’s
overview of this year’s
Geneva International
Motor Show
and New York
International Auto Show.
Greetings intuitive viewers,
and welcome to
a Journey through
Aesthetic Realms
on Supreme Master
Television.
Recently,
the Pajaro Valley Quilt
Association held its
32nd annual quilt show
in Watsonville,
California, USA.
Today, let’s find out
about the some of
the techniques of
quilt making and meet
more of the wonderful
people who create
the beautiful and often
innovative artworks.
My most famous pattern
is Bento Box,
and that pattern
has been out since 2003.
What I do is
I take pieces of fabric
that I happen to like
and I cut them up into
squares, circles, triangles,
try to make something
that’s pleasing to me.
And then what happens,
I can write the directions
and other people
who like my quilts will
come and buy the patterns.
Fabric selection is the
first step in quilt making.
Quilters can choose
from a wide selection
of ethnic, artistic,
or memorial materials.
These often reflect
one’s cultural background,
aesthetic value,
or family history,
and may use old or
modern technologies.
I took a class,
“Piecing with Pixels”
Sandy Hart, and it’s where
you take photographs
and scan them
into Photoshop, and then
you use the filters
and you make the
different pieces of fabric.
A lot of people,
they’ll choose
their vacation photos or
flowers or their children.
Over the past decades,
a technique
known as crazy quilting
has received
renewed interest.
Let’s find out more about
this traditional style with
widely renowned quilter
Ms. Allison Aller,
who specializes
in crazy quilting.
Crazy quilting uses
a lot of different kinds of
fabrics, not just cotton.
Crazy quilting
has an element
of random piecing to it.
And crazy quilting has
embroidery stitches between
these patches of fabric.
Those are
the three main elements.
The pottery in Japan
had this kind of
crackled glaze
that was called crazing.
It was very irregular
patterns in the glazing and
that’s how crazy quilting
got its name.
It was that
these crazed glazes,
people loved the aesthetic
and so they wanted to
start incorporating that
in their quilting.
Ms. Aller kindly walked us
through one of her quilts
on display,
highlighting some
elements characteristic
of crazy quilting.
If you notice, the value
goes from light to dark,
and it goes from light
to dark out here,
and that’s help
to give the illusion
of the perspective
and landscape.
In the old days,
all crazy quilts
had spider webs on them.
They were
a symbol of good luck,
so I put one on mine
and I put letters in it,
and it says: “Take root
in my heart and bloom.”
And that’s how
I feel about flowers.
I think one of my favorite
aspects of this quilt is,
I started making
my own fabrics
by making collages
of fresh flowers and
photographing them
and then printing
my digital photograph
onto fabric, and then
piecing my printed fabric
into my crazy quilts.
Every block
has printed flowers.
This here, I call this
my Chanel Camellia.
A friend of mine had
a blouse by Chanel and
she didn’t like the camellia,
so she gave it to me.
And so I always
think of my friend and
her fancy Chanel blouse
when I have that.
I mean, I can look at
any fabric and tell you
where it came from,
who gave it me, because
a lot of crazy quilters
trade fabrics.
And I can tell
where every single things
came from.
So in a way it’s a very
wonderful repository
of the friendships
in my life as well.
Beading is another element
incorporated into
many quilts.
It gives you
a whole new set of
textures and dimension
to work with.
And a quilt like this
you have to stop caring
about how long it takes,
and you have to
fulfill your commitment
to the quilt.
So like this area up here,
I think that was
five hours at least
to do that little motif
of those gold beads.
But you get
such a rich surface.
And again
it’s so soothing to do.
You can really
calm your mind
doing this kind of work.
And my family thinks
that’s a good thing!
Our program on
American quilting tradition
will continue.
Please stay tuned
to Supreme Master
Television.
Welcome back to
A Journey through
Aesthetic Realms
on Supreme Master
Television
as we continue
our program about
the Pajaro Valley
Quilt Association’s
annual show.
The theme of this year’s
quilt show was
“It's Easy Being Green.
Recycle, Reuse, Renew.”
We were trying to think
of a really unique theme
this year, and there’s
such a green movement
going on worldwide
that we really thought
that would be
a good thing to use.
And part of it was,
the quilt had to be made
with at least 75%
of recycled material.
It could be old shirts,
it could be scraps
in your scrap basket,
but you couldn’t go out
and buy anything
to make these quilts.
Quilting is a green activity.
My grandmother made
lots and lots of quilts.
And she did
a lot of recycled stuff.
She did recycle before
recycle was recycle
This is my quilt
that I entered into the
"Go Green Challenge."
This quilt is made of hemp
and the batting
is made from
recycled water bottles.
So this quilt just to me
symbolizes the need
to return to a more
sustainable fabric choice.
For quilters,
life is an endless source
of inspiration.
Hi, I am Anna Branquits
and I made this quilt
for my son because
he loves to play baseball
and he has baseball pins
that he collects,
from all over the country
and so he got a quilt
to put them in.
But while some quilts
relate to memories
and anecdotes,
others are created for
sheer fun and imagination.
Sometimes we have
different challenge things.
And this year’s challenge
is “Plants Incognito,”
and we drew
a name of a plant
that we were supposed
to illustrate
without printing words
on our quilt.
And so we all
had this title to do and
worked on our own quilts
separately and we’ve got
them all displayed here.
And they illustrate
different plants and then
people are supposed
to guess which one.
The name that I picked
out of the hat was
“Old Man’s Woodworm,”
which is a common name
for a California plant.
In the drawing,
I got the name
“Maidenhair Fern”
and I didn’t know
what in the world to do,
so I emphasized her hair.
And this type of
coiled technique, I used
for her bouffant hairdo.
When they all
get together and
you see what people
have done with things that
you don’t have any idea
they’re going to use,
it’s just really, really fun.
It’s so important to me
to be in this group, and
I don’t like meetings at all,
but I won’t miss
the quilt group
if I can possibly get there.
The dedication of
the quilters to their pieces
and to one another
is heartwarming.
So what is it that
motivates these quilters?
In our small quilt group,
we inspire each other’s
creativity, we encourage
our creative efforts,
and we are able to
get some feedback about
different ideas that we have
and how they will work,
and we laugh a lot.
We have a lot of fun
doing this.
Tell us about the spiritual
aspects of quilting.
Well for me, I think of God
as the ultimate designer
and creator,
and as God made us
in his image,
we’re all creators.
And so when I’m involved
in the creative process,
that’s my way
being devotional,
so it’s integral
to my spiritual life.
Besides seeing it
as a creative outlet
and an emotional
and spiritual support,
the quilters
at the Pajaro Valley
Quilt Association also
regard quilting as a way
to help those in need.
Over the past few years,
they have donated
hundreds of
their handmade quilts
to dozens of charities
serving children, veterans,
and disadvantaged people.
Pele Fleming works
in a program that teaches
teenage mothers to quilt.
When the girls start,
I have them do a quilt first,
it’s a really good thing
to start, and
it also connects them
with their baby too.
I’m saying,
“This is something special
you’re making
for your baby.”
It just really
gives them a sense
of accomplishment when
they make something.
It’s something
that they made,
even if it’s not perfect.
This blanket,
I made for my son.
He likes the strong colors
a lot and because
he is now three years old,
and he doesn’t speak much,
I thought that the blanket
will help him in learning
to talk a little more, with
the colors and letters.
So, here I put Bryan’s name,
and he knows that
his name is written here.
In quilting,
new techniques and
uses constantly evolve,
as a quilter’s creativity
can only expand
through practice
and the exchanges within
this tight-knit community.
Thus, quilting will always
remain a cherished
American tradition.
My cousin Carol
who inherited
the grandparents’ cottage,
her best friend is a quilter.
And this quilt was
in American Quilter’s
Society (AQS) Magazine
the year that it won.
And her friend is leafing
through a quilt magazine
with her, and she goes,
“This quilt looks
just like Michillinda!”
And my cousin said,
“My cousin Ally
made that quilt!”
I hadn’t seen Carol
in 40 years.
But she called me.
Long story short,
we reconnected,
and she has me back
to the old family cottage
for a week every summer.
After I started going back
to visit my dear cousin
Carol for a couple years,
she would tell me
about our grandmother
who I did not know, and
what a wonderful person
she was and how much
she enjoyed needlework,
and that her grandmother
had finished a crazy quilt
that her mother had made
in the 1890s.
And our mutual
grandmother had handed
this quilt down to Carol,
and she brought it up
one year to show me.
And then she gave it to me…
which you can imagine
was quite meaningful.
We didn’t know her name,
the lady who made this.
So we went to the family
grave site together, and
her name was Margaret.
And with that,
I would like to close
and thank you
for your attention, and
encourage you please,
thread those needles
and get stitching.
We thank the Pajaro Valley
Quilt Association
and all participants
at the quilt show
for brightening our world
with your charming craft
so full of love and joy.
May such endeavors of
creating, giving and sharing
help make our world
a nicer and gentler place
for all generations.
For more information
about the Pajaro Valley
Quilt Association,
please visit
Artistic viewers,
thank you
for being with us today
on A Journey through
Aesthetic Realms
on Supreme Master
Television.
Coming next is
Vegetarianism:
The Noble Way of Living,
after Noteworthy News.
Wishing you a happy and
harmonious week ahead.