Today’s A Journey 
through Aesthetic Realms 
will be presented 
in Indonesian, 
with subtitles in Arabic, 
Aulacese (Vietnamese),  Aulacese (Vietnamese),
Chinese, English, 
French, German, 
Hungarian, Indonesian,  Hungarian, Indonesian,
Japanese, Korean, 
Malay, Mongolian, 
Persian, Portuguese,  Persian, Portuguese,
Russian, Spanish 
and Thai.
Greetings elegant viewers 
and welcome to 
A Journey through 
Aesthetic Realms 
on Supreme Master 
Television. 
In today’s program, 
we will take an excursion 
to the island of Bali in 
the Republic of Indonesia 
to relish its 
harmonious cultural and 
architectural heritage.
Located to the east of Java, 
the 5,600 square kilometer 
sub-equatorial 
Southeast Asian island 
is endowed with 
majestic mountains, 
picturesque beaches, 
lush rainforests, 
and diverse fauna. 
In 2009, it was honored 
World’s Best Island 
by Travel and Leisure 
magazine. 
To represent the spirit 
of this special place, 
the Bali Government 
Tourism Office 
has adopted 
a crowned floral triangle 
along with the motto 
“Bali Shanti Shanti Shanti.” 
Shanti means peace 
in the ancient 
Sanskrit language. 
The triangle symbolizes 
the Balinese philosophy 
of Tri Hita Karana, 
or the balance between 
God, nature, and humans.
It also alludes 
to the three main gods 
in Hinduism, the religion 
of the majority 
of the Balinese, namely 
Brahma, Vishnu, and Shiva. 
The floral pattern 
represents the beauty 
and importance of 
the island’s environment. 
The crown stands for 
higher awareness 
and the nobility 
of the Balinese people. 
Bali is home to 
approximately 3.5 million 
peaceful inhabitants 
the vast majority 
of whom farm rice, 
vegetables and 
delicious tropical fruits. 
The cultured Balinese 
are highly spiritual. 
According to folklore, 
the Supreme Lord 
Ida Sang Hyang Widhi 
created gods, animals, 
and fish and assigned them 
to the sky, the Earth and 
the ocean respectively. 
He then created humans 
and entrusted them to 
make the world a paradise. 
The devotion to God 
can be seen in every aspect 
of Balinese life – 
from ritual dances 
to daily etiquette, from 
family altars to temples. 
Currently there are 
about 20,000 temples 
on the island. 
No wonder Bali is known 
as the Island of a 
Thousand Puras (Temples), 
or the Island of the Gods!
Bali means “offering” 
in the local language. 
Worshiping and making 
offering to the gods are 
as natural as breathing 
for the island residents. 
Let’s now visit 
a Balinese family, 
who are our 
Association members, 
and find out 
how they prepare 
such an offering.
We are making dakshina. 
Dakshina is a form 
of offering to gods and 
goddesses that occupy 
each family temple. 
Dakshina has a base 
that is made of 
sugar palm leaves. 
Its contents are coconut, 
banana, and sugar cane. 
Well, 
we arrange these things; 
we put them 
inside the container. 
Then there’s decoration 
that consists of 
some kinds of flowers. 
This is to beautify 
its appearance.
Now we are cleaning 
the coconut. 
This coconut is used 
for dakshina, it is an item 
for our ceremony. 
Usually it is done by a male. 
Usually we make a lot 
before the ceremony. 
This is made of ripe coconut. 
And then 
we will put it inside 
the container of dakshina.
Then, we also make 
another arrangement 
that is called gebogan. 
Gebogan is made of 
various kinds of fruits. 
So we choose the fruits 
that can be arranged 
and ones that 
make it look beautiful. 
Then there are 
some kinds of cake. 
And the last one is an 
arrangement of bananas.
This is dry cake 
that is made of rice. 
So the rice is dried 
before it is formed like this; 
it is cooked first 
and then it is dried 
and put in an oven 
so it can stay long. 
To beautify its appearance, 
we give various colors 
so it becomes a beautiful 
offering for the gods. 
The way to stick it 
is like this: we stick it 
with a stick of palm leaf 
so it doesn’t fall, 
we arrange it like this.
There are also some things 
made of flowers. 
This also makes it beautiful, 
beside it being 
an offering to God. 
We arrange them 
on the dakshina, 
so it looks like this.
Then we also make things 
called klakat. 
This is for the base 
of all the facets 
of our ceremony. 
This can be made by 
the males and the children. 
So we make it earlier 
because it can be stored 
long enough. 
This is from bamboo. 
The way to use it 
is like this: we put it above, 
then we use it as the base. 
There are a lot of them. 
This is already done. 
We make them, 
then we gather them. 
We teach the children 
how to do this, so 
when they become adults, 
they can do that. 
We teach them 
how to make this klakat.
To make it better, 
you do like this, okay? 
Yes. Make this neat! 
This one is too high, right? 
Where is the other, dear? 
This one. 
Well, you continue this 
in the middle. 
In the middle, dear. 
Is it already finished, dear?
When we offer this, 
we light the incense. 
This incense functions 
to quicken the arrival 
of the offering to God.
Balinese faith is deep-rooted 
and spiritual tenets are 
taught from childhood. 
A Balinese saying 
about property is as follows, 
“It's not my land anyway. 
Only gods can own land. 
Humans just borrow it 
for a while.” 
Farming and village life 
are often organized in units 
larger than the family level. 
Subak is 
a farmer’s organization 
that collectively 
makes farming decisions, 
in particular with regards 
to controlling irrigation 
of rice fields. 
A banjar is a group of 
families in a village 
who work together 
on community projects 
such as 
keeping their area clean, 
renovating the local temple 
and so on. 
These two social structures 
truly make 
for strong, close-knit 
neighborly relations 
where residents truly care 
for one another. 
We will be back 
in a moment 
after this brief message. 
Please stay tuned 
to Supreme Master 
Television.
Welcome back to 
A Journey through 
Aesthetic Realms 
on Supreme Master 
Television 
for our program on 
the splendid island of Bali. 
A traditional Balinese 
house consists of 
a family temple, 
sleeping quarters, 
a kitchen, a barn, and 
a few other structures on 
a square or rectangular lot. 
The entire complex 
is surrounded by 
a protective wall 
with one gate. 
The layout is usually 
designed in accordance 
with an ancient 
Hindu manuscript called 
Lontar Asta Kosala Kosali. 
Other similar time-honored 
Hindu architectural texts 
describe the methods to 
identify a good location 
for a home, 
proper functions 
of different buildings, 
and rituals before 
commencing construction.
Let us now join our 
Supreme Master 
Television correspondent 
who will serve as our guide 
for our tour 
of a Balinese residence, 
starting with its gate 
called angkul-angkul.
Angkul-angkul has 
its own significance 
as a private gate 
that is different from 
the common gate in Bali 
that is called 
“candi bentar.” 
“Angkul-angkul” is 
divided into three parts, 
namely the roof part 
that is called the head, 
the middle part 
that is called the body 
and the bottom part 
that is called the foot. 
In these two parts 
there is also a place 
for offerings and in Bali 
it is called “plangkiran.” 
So this place is used 
to welcome the guests, 
and has a function as 
a guardian of the Balinese 
traditional house.
Worship of God 
and respect for nature 
are the noticeable themes 
seen in the architecture of 
a classic Balinese home. 
Generally the “nista zone” 
of the Balinese 
traditional house 
consists of three parts: 
the gate area, 
the kitchen area, 
and the “jineng” area.
This is the area that 
functions as a storage place 
for the harvest. 
So the upper part 
of this house stores 
many seeds to be planted 
in the coming 
suitable season. 
And this building also 
functions to receive guests, 
and as a place 
to have daily meals.
The main portion 
of a home, called madya, 
consists of the quarters 
for sleeping 
and family activities 
and a family temple area 
called utamaning utama.
Now we are in the part 
that is called madya. 
Madya means middle part. 
So in the middle part 
of traditional 
Balinese house, 
there is “bale daja,” 
and “bale delod.” 
“Bale delod” 
consists of one bed. 
Besides as a place to sleep, 
this also functions 
as a place to prepare 
the ceremony for the family 
and the ancestors. 
“Bale delod” also 
functions as a place 
to receive relatives, 
to have a chat 
and to do daily activities. 
Bale daja functions 
primarily as a place 
to sleep, and 
it is usually occupied by 
the head of the family 
or the eldest son 
who is responsible 
for the whole family.
In bale daja, 
there is one main entrance. 
The door uses 
two door eaves, usually 
carved with a depiction 
of the Ramayana.
 
There are two main 
windows in this room. 
In the middle of the madya,
there is a place 
called sanggah surya, 
which is used for 
daily offerings to God. 
Sanggah surya is 
the holy place where 
people everyday offer 
a flower called canang, 
as a holy offering 
or thankfulness to God, 
the Creator. 
This place is 
regarded as a place to 
worship the Highest God.
This sanggah surya 
consists of three parts, 
namely the main part, 
middle and “nista.” 
In the main part, 
there is a roof 
made of palm fiber, 
and the head is 
made of wood, and 
the body is made of bricks, 
and then the foot, 
or the base 
is usually simpler. 
The main area of this 
Balinese traditional house 
is divided into two parts. 
The area 
of utamaning utama is 
a location for the sanggah, 
and the area 
of the utamaning madya 
is a place for the bed. 
Let’s see the utamaning 
utama area of this house.
In the utamaning utama 
area of the traditional 
Balinese house, usually 
we see one temple 
that is called merajan 
or sanggah. 
The merajan or the sanggah 
functions as a place 
to worship 
Ida Sang Hyang Widhi 
or The Highest One. 
It is also a place 
to worship ancestors. 
The front side or 
the gate of the sanggah 
is called paduraksa. 
Let’s see the parts that 
are called the merajan.
Sanggah or the merajan 
consists of many buildings 
that are called pelinggih. 
Each of them functions as 
the seats of different gods. 
In the area 
west of the sanggah, 
there is a building 
where the priest leads 
the ceremony, who sits 
in the middle of this bale. 
There are a lot of pelinggih. 
Meanwhile, 
the main parts
of this holy place 
or the merajan are 
in the north and in the east 
that represent the places 
to worship 
Ida Sang Hyang Widhi, 
or The Highest One.
To close today’s show 
we have briefly touched 
on the beautiful religious, 
cultural, and architectural 
traditions of Bali and 
seen how truly marvelous 
the Balinese people are. 
May the noble 
Balinese traditions 
be cherished 
and carried forward 
for a peaceful 
and sustainable future 
on this ethereal island!
Gentle-hearted viewers, 
thank you for being with us
on today’s episode of 
A Journey through 
Aesthetic Realms.
 
Up next is 
Vegetarianism: 
The Noble Way of Living, 
after Noteworthy News. 
May enlightenment 
and blissfulness always 
be part of your life