Today’s A Journey 
through Aesthetic Realms 
will be presented 
in Japanese, 
with subtitles in Arabic, 
Aulacese (Vietnamese), 
Chinese, English, 
French, German, 
Hungarian, Indonesian, 
Italian, Japanese, 
Korean, Malay, 
Mongolian, Persian, 
Portuguese, Russian 
and Spanish. 
Energetic viewers, 
welcome to A Journey
through Aesthetic Realms 
on Supreme Master 
Television. 
You have just enjoyed 
a taiko drum performance 
by the internationally 
renowned Ondekoza 
ensemble from Japan. 
Taikos are stick 
percussion instruments 
important in Japanese 
folk and classical 
musical traditions. 
The simple and rhythmic 
drum presentations, 
combined with 
the disciplined training 
and teamwork, 
have been part of 
the rich culture of Japan 
for more than 2,000 years.  
The modern style 
taiko performance 
was pioneered in 1951 
by virtuoso drummer 
Daihachi Oguchi. 
He was the first to use 
a large Japanese drum set 
in tandem with jazz music. 
The genre was 
further enriched by 
the Yushima Tenjin 
Sukeroku Daiko group, 
established in 1959, 
which introduced tempo, 
strength, as well as 
unique choreography 
into the performance. 
The success 
of the initial drum groups 
led to the great popularity 
of taiko in the country 
in the 1960s. 
Ondekoza was created 
during that period.
It was founded 
45 years ago on an island 
called Sado-ga-shima.
A group of young people 
gathered together 
because they wanted 
to do something new. 
Playing taiko drums 
became their final decision. 
They named their group 
Ondekoza. 
After it was founded, 
the group started 
to tour all over Japan. 
They performed 
at different places 
continuously. 
What are 
the unique aspects that 
distinguished Ondekoza 
from other taiko groups? 
In Japan, there are 
about 5,000 taiko groups.
All of these groups play 
similar types of taiko drums. 
Our specialty is performing 
with our entire body. 
In other words, 
the bodies of 
performers themselves are 
a tool for performance. 
That’s why 
they have to go through 
comprehensive training 
starting from 
their daily lives, so that 
they can present themselves 
on the stage 
to the audience. 
I think this is what sets us 
apart from other groups.
Besides their unique style 
of performance, 
Ondekoza drummers also 
wear special costumes 
on stage.
This is called 
“half-length sleeves,” 
a traditional 
Japanese costume.
In olden times, 
people used to wear them 
as their work clothes. 
Like this pocket: 
it was used to store tools. 
See the design here? 
This design is used to 
distinguish the group 
that people belonged to. 
Later, people also 
wore this kind of clothes 
to attend festivals. 
Ondekoza also 
follows this tradition.
When Ondekoza 
gives performances 
around the world, 
one central theme is peace. 
We emphasize this theme 
because our founder, 
Den Tagayasu, 
having experienced wars, 
had wanted to promote 
the message of peace 
through drum playing 
throughout the world. 
We wanted 
to reflect this ideal, 
so we chose “Prayer” 
as our first program.
Let’s now enjoy 
the taiko performance 
entitled “Prayer” by
the Ondekoza ensemble.
I’m You Kuboya.
I watched the performance 
by Ondekoza while 
I was in kindergarten and 
I was also very moved 
at that occasion. 
So right after I graduated 
from high school, 
I joined the group.
I’m Dai Nakamura.
While I was studying 
in the United States, 
I watched the Ondekoza 
drum performance 
for the first time, 
and I was deeply moved. 
When I came back to Japan 
I made a decision.
This is my 9th year.
According to 
Ondekoza tradition, 
its members receive 
rigorous training 
including studying 
Japanese folk arts, 
experiencing communal 
living, and undertaking a 
physical exercise regime 
of a professional athlete.
To us, the most basic 
training is running. 
Like this morning, we ran
about 10 kilometers. 
We start running 
at 6 every morning. 
In Japan, 
every day we would run 
20 to 30 kilometers.
Every year, I would 
go climb Mount Fuji. 
I would start 
running up the mountain 
from the base, 
and I often go to the top.
Our performances usually 
last about two hours, so 
this training is necessary 
to build our stamina.
In 2004 
in Formosa (Taiwan), 
we were on the road 
for about a month. 
Every day 
we ran 30 kilometers. 
When I finished the run, 
I felt so great!
Our second program 
is called “Playing Taiko 
on Hachijo Island.” 
According to legend, 
a samurai was homesick 
for his hometown, 
so he tried to play drums 
with wooden swords 
to console himself.
Through rigorous training, 
Ondekoza drummers 
become very disciplined 
in their daily activities, 
which is the foundation of 
successful performances.
They show good discipline 
in rehearsals 
and they carefully 
preserve their drums. 
Their performances 
are very powerful. 
I think 
they are very dedicated 
to their profession. 
For example, 
right after playing, 
they would always 
store their drum sticks 
in a secure place.
The venue 
that the group plays at 
also influences 
their performance.
The atmosphere at the site 
is determined by 
the mood of the audience. 
The scene also 
creates a mood. 
We performed at 
Seiin Temple in late May. 
We just 
whole-heartedly felt
the power of that temple, 
and that was why 
we could have such
a perfect performance. 
We always feel 
the atmosphere of the site 
and perform accordingly.
Ondekoza’s 
trademark performance is 
the ōdaiko or “grand taiko.” 
They are the largest drums 
in a taiko ensemble. 
Performing 
with the ōdaiko requires
strength, stamina,
coordination, musical sense, 
and teamwork.
The players exert 
all their might and power 
to strike the drums. 
This is the signature 
program of Ondekoza.
Combining strength 
with art, taiko bands 
have sprouted 
all over the world 
since the 1960s. 
In North America alone, 
there are approximately 
150 taiko groups. 
It is now truly 
an international art form.
I’ve been with 
the Ondekoza group 
for 15 years. 
Right now our members 
are running around China 
on tour.
They start from Shanghai, 
and run to Kunming, 
from there 
they run to Xi’an,
and then to Beijing. 
They finally 
run from Beijing 
back to Shanghai. 
My hope at the moment 
is to finish 
the run around China. 
I hope Ondekoza 
will continue for 
some decades ahead, 
even 100 years from now. 
If it continues like this, 
that will make 
me very happy. 
For myself, I hope 
that I will gain all sorts 
of experience while I’m 
with the Ondekoza group.
We thank 
the members of the 
Ondekoza taiko ensemble 
for sharing with us your 
brilliant performances 
and valuable experience. 
May you continue to 
bring joy to appreciative 
audiences worldwide 
through your 
amazing art form. 
Heaven bless 
beautiful Japan.
For more details 
on Ondekoza, 
please visit 
Dedicated viewers, 
thank you 
for your presence 
on today’s episode of 
A Journey through 
Aesthetic Realms 
on Supreme Master 
Television. 
Up next is 
Vegetarianism: 
The Noble Way of Living, 
after Noteworthy News. 
May inner melodies 
uplift your spirit.