Today’s A Journey 
through Aesthetic Realms 
will be presented 
in Bahasa Melayu, 
with subtitles in Arabic, 
Aulacese  (Vietnamese), 
Chinese, English, 
French, German, 
Hungarian, Indonesian, 
Italian, Japanese, Korean, 
Malay, Mongolian, 
Persian,Portuguese, 
Russian and Spanish.
Brunei Darussalam 
is one of the countries 
in the world producing 
the finest woven textile. 
Welcome to A Journey 
through Aesthetic Realms 
on Supreme Master 
Television. 
A sparkling gem 
in Southeast Asia, 
Brunei Darussalam – 
The Abode of Peace – 
is full of wonders: 
a no-tax social 
welfare system with free 
education and healthcare, 
the awe-inspiring 
Kampong Ayer 
(Water Village), and the 
magnificent Sultan Omar 
Ali Saifuddin Mosque 
are just a few of them. 
Among Brunei’s treasured 
cultural heritage, 
woven textile has 
a long and rich history 
which is reflected 
in many aspects
the Bruneian way of life. 
Please join us today 
as we look into 
the time-honored customs 
of the beautiful weavings 
with Dr. Siti Norkhalbi 
Haji Wahsalfelah, 
Senior Lecturer and 
Director of the Academy 
of Brunei Studies.
My name is 
Dr. Siti Norkhalbi 
Haji Wahsalfelah. 
I am a Senior Lecturer 
of the Academy 
of Brunei Studies and 
I am also the Director 
of the Academy 
of Brunei Studies 
(Universiti
Brunei Darussalam). 
My field of research 
is about woven textile 
in Brunei. 
Traditional Bruneian 
fabric is made by women 
and used for 
ceremonial costumes, 
with special 
cultural significance. 
It is not known 
when cloth making began 
in the land of Brunei. 
But historical evidence 
suggests that 
it has been practiced 
for at least 8 centuries.
Based on 
the archaeological dig 
in 1952 and 1953 
by member archaeologist 
Tom Harrison 
 
who was working for
the Museum of Brunei, 
several weaving equipments
had been discovered. 
Based on the carbon 
radiation techniques, 
it was proven that 
the weaving equipments 
discovered 
were in existence 
for 800 to 850 years. 
There were also 
several notes made by 
travelers visiting Brunei. 
Chau Ju-Kua, 
a Chinese traveler 
to Brunei in the year 1225, 
explained that during 
that period of time, 
he witnessed women 
from high society 
wearing woven clothing. 
(Antonio) Pigafetta, who 
visited Brunei in 1521, 
also spoke about the use 
of woven cloth worn 
by the palace officials 
as “sampin,” 
a form of sarong 
and known as “sinjang” 
in Brunei language. 
Woven cloth was also 
given away or used as 
presents to travelers who 
visited Brunei, especially 
the high officials from 
overseas, as a tradition. 
Nowadays, the exquisitely 
patterned materials are 
widely used in religious, 
official, and everyday life 
of Brunei. 
They convey 
a national identity rooted 
in the Muslim faith. 
The woven cloth of Brunei 
is created by
the Malay community or
the Brunei Malay tribe, 
which are 
of the Muslim faith. 
All of the motifs 
that are used to 
decorate these cloths are 
of plant or floral motifs. 
Dr. Wahsalfelah 
kindly introduces to us 
a few distinct designs 
of traditional Bruneian 
fabrics in more detail.
There are several types 
of woven cloth patterns 
in Brunei Darussalam. 
Of them, like the one 
that I’m showing here, 
is the “kain bertabur.” 
It is called “bertabur” 
or scattered because of 
the floral motifs 
scattered on the cloth. 
Thereafter 
the normal source of 
these types of cloth motifs 
are the “pucuk rebung,” 
a type of bamboo plant. 
The sides 
of these woven cloths 
are called “air muleh,” 
which symbolize 
the Bruneian’s gentle 
and courteous character. 
The sides, “air muleh,” 
are normally used in 
many of the woven cloth 
of Brunei. 
This form of design 
is considered the latest 
that is created in line with 
the users’ preferences. 
Nevertheless, it still uses 
traditional motifs. 
For example, 
this cloth uses 
the scattered spiral florals. 
Spiral florals are said
to be the creation 
of the late Sultan 
Omar Ali Saifuddin 
Sa'adul Khairi Waddien, 
the 28th Sultan of Brunei. 
And this is sample of 
a particular floral design 
known as “kain beragi.” 
It is normally worn 
by the men attending 
special occasions such as 
wedding ceremonies. 
And it is of the designs 
of the “kain jong sarat.” 
It is named “jong sarat” 
because it is full of florals 
and has only 
two main colors: 
the background color 
and the gold threads, 
or silver threads, 
for decorating the cloth.
This cloth uses one of 
the most common forms 
of the oldest motif 
in Brunei.  
Other than the motifs 
that I have just explained, 
there are also 
other designs such as 
the “silubang bangsi,” 
“bunga sipukut” 
(also known 
as “kain sipukut”), 
and “kain liputan madu.” 
In recent years, 
there have been many 
more kinds of designs 
that have been created 
by the weavers or 
the weaving designers.  
In addition to
the soothing motifs, 
Brunei fabrics adopt 
pleasant colors, 
which oftentimes convey 
specific messages under 
different circumstances, 
particularly in royal 
or official ceremonies.
The use of the woven cloth 
in the royal tradition 
shows, or potentially 
shows, the status 
or the rank of the wearer. 
During the reign of Sultan 
Haji Omar Ali Saifuddien 
Sa'adul Khairi Waddien, 
the 28th Sultan, 
His Highness 
introduced uniform 
traditional costumes 
with specific colors 
indicating the rankings 
of state dignitaries 
and royal dignitaries. 
This was 
further elaborated during 
the reign of Sultan Haji 
Hassan Abdul Bolkiah.
For example, 
during the birthday 
of His Royal Highness 
the Sultan of Brunei, 
woven cloth is worn 
during the royal parade 
and also during 
the honorary awards 
presentation. 
The dignitaries shall 
wear their traditional 
Malay costumes complete 
with “kain samping,” 
a form of “sarong” 
and “arat,” or 
what is called a belt 
made from the woven cloth. 
The color and the design 
also show the status 
of the wearer. 
Brunei woven cloth
is currently used 
as part of the clothing 
as the academic gowns 
of universities. 
The selected color and 
design indicate the status 
or academic level. 
For example, the color blue
is for undergraduate. 
And master’s degree 
has the same color but 
with a different design, 
whereas 
for the doctorate degree 
it has a different color 
as well as a different motif. 
In traditional 
wedding celebrations, 
the color and pattern 
of the bride’s 
and groom’s attires also 
have cultural meanings. 
Both the bride 
and the groom 
will be wearing outfits 
made from 
the same woven cloth of
the same color and design. 
It represents unity 
from the viewpoint 
of the Brunei people. 
From the viewpoint 
of the Malay community, 
weddings are 
not only seen as a unity 
of the married couple 
but also of the families 
of this couple. 
The choosing 
of the same color 
and the same motif 
also symbolizes 
the common understanding 
between the two sides. 
In order to have 
a peaceful wedded life, 
one needs to have 
a common understanding 
between both the groom’s 
and bride’s families.
In a traditional 
wedding ceremony, 
the newlyweds also 
exchange “kain jong sarats” 
as an evidence of
their love and a symbol 
of the groom’s ability 
to provide the bride 
a comfortable life. 
Woven fabrics are 
meaningful during other 
traditional ceremonies 
as well, such as the birth 
of the first child, a boy’s 
passage to adulthood, 
and a person’s departure 
from this world.
“Mandi belawat” 
is celebrated during 
the birth of the first child. 
During this ceremony the 
new mom wears clothing 
made from the woven cloth 
(with) gold ornaments 
called “bunga goyang,” 
a kind of headdress. 
Then a piece 
of the woven cloth 
called the “kain khatib” 
is spun around 
the body of the new mom. 
The child 
will also be adorned in 
traditional Malay outfit 
and also wrapped 
with the woven cloth. 
This shows appreciation 
towards God’s blessings, 
blessing the wedded couple 
with a child. 
The “berkhatan” ceremony 
is usually held when the 
boy is about 10 years old; 
an appreciation prayer 
and chanting is held. 
The boy 
is then seen wearing 
Malay traditional costume 
made of woven cloth. 
This goes to show 
that the boy has matured 
and has the duty towards 
conducting rituals such as
prayers, fasting, and
conditional responsibilities.
Handwoven textiles 
are equally popular in 
minority groups such as 
Bisaya, Dusun, Belait 
and Kedayan to represent 
affluence and harmony 
during tribal rites. 
To preserve this 
and other precious 
national heritages, 
the Brunei government has 
set up handicraft centers 
where the traditional way 
of fabric making is taught.
The Brunei arts center 
is seen as an effort 
to ensure the survival of 
the woven cloth tradition. 
Interested people 
may attend the courses 
that are there, or that are 
offered at the arts center 
of Brunei Darussalam. 
There are several 
handicraft courses, 
makings of silver 
and silver handicrafts, 
songkok making, 
and also cloth weaving.
Other than that, various 
efforts have been made 
to ensure woven cloth as
part of the Brunei people. 
Nowadays, woven cloth 
is made as something to 
show the steadfast nature 
of the Brunei people. 
Therefore, it is used 
in several events, 
displayed and paraded 
in various shapes to show
this is the true identity 
of the Brunei 
Malay community.
As the Brunei society 
is more exposed 
to traditional weavings 
thanks to the arts centers, 
a new trend has emerged 
in which 
customary materials 
are used in a variety 
of novel applications 
in the modern life. 
In terms of the use 
of woven cloth, there are 
efforts to diversify 
or create varieties 
in the production 
of the woven clothing 
which not only centralizes 
on the use of clothing 
but also to make other 
accessories, such as 
tissue boxes, neck ties 
for men, cushion boxes, 
and the likes, to be suited
with today’s lifestyle. 
This may be seen 
as one way of promoting 
the Brunei handicraft 
in line with 
the requirements of today.
Cloth weaving 
and fabric handicrafting 
have recently 
become popular among 
Bruneian housewives. 
It is not only a way 
for women to improve 
their standard of living 
and be financially 
independent, but also 
an opportunity to make 
a direct contribution 
to society.
We thank 
Dr. Siti Norkhalbi 
Haji Wahsalfelah 
for sharing with us 
a wealth of information 
about the rich tapestry 
of traditional Bruneian 
handwoven textile. 
May the exquisite artistry 
continue to thrive, 
adding beauty 
to your precious nation 
and our cherished world. 
Esteemed viewers, 
we appreciate your company 
on today’s 
A Journey through 
Aesthetic Realms.
Please stay tuned 
to Supreme Master 
Television for
Vegetarianism: 
The Noble Way of Living, 
after Noteworthy News. 
May heavenly melodies 
uplift your spirit.