It is often said that 
God is beyond words, 
that heavenly experience 
cannot be uttered, 
and the truth of things 
is not easily written 
in a language 
of ordinary logic.
Even so, out of their 
great compassion 
for humankind, 
enlightened sages 
of the past 
have expressed the Truth 
in eloquent words, 
including through 
poetic expressions. 
Left with us today, 
for example, 
are the elevating songs 
of Milarepa 
and Guru Nanak, 
and the carefully worded 
teachings of Lao Tzu, 
Kabir, and Rumi.
Many a beautiful line 
of poetry has helped 
to soften the rigid cement 
that sets the minds 
of human beings 
in a maze of ignorance.
Supreme Master Ching Hai, 
a spiritual teacher 
and poet herself, 
has cherished 
the art of poetry 
since her childhood. 
She has often shared 
and discussed the poems 
of past saints 
during lectures, 
as in this February 2007 
international gathering in 
Hsihu, Formosa (Taiwan).
“…The rest of the world
may sleep, but real lovers
throughout the night
talk inwardly with God.
All through the night,
God is calling us.
Rise up!
Use this time richly,
you poor man.
If you don’t,
you will burn with regret,
when your soul’s
separated from your body.”
Voilà. 
Is that beautiful? Yes.
And he is not making
a veiled poetry.
He is not writing it just
so that we praise him say,
“Ah, what a good poem
you have written.”
He was not writing this
just for satisfy
his poetic tendency,
or even to share it 
with a couple of 
poetic friends, who
will admire his mastery
of the chosen words.
No, no, no.
He has written this,
because
he cannot not write.
Because
this is his experience,
his inward experience. 
Supreme Master Ching Hai 
went on to explain 
the reasons that 
so many spiritual Masters 
used poetry 
to reach humankind.
Because poetry
appeals to the heart,
also to the intellect,
also to the emotion of man.
Therefore,
many of the Masters
in the old time,
they favored poetry
as a teaching.
He used a lot of poetry
to send it to his disciples.
Or maybe that is also
the mode, mode of that time.
Yeah? Fashion.
All the Masters
write poetry.
Or maybe also,
many of the Masters,
they are
very artistic themselves.
Or maybe after
they get enlightened,
all their dormant talents
sprung up to life,
and they know
how to write poetry,
they paint pictures,
dance and sing
and all kinds. 
So this is one of the talent
that has been awaken
in some Masters,
after they get
high enlightenment.
And it’s easy to remember,
easier to remember a poem
than a whole big lecture.
So poetry is
a very good instrument
to teach people,
and make them 
remember very well.
Over the course 
of countless lifetimes, 
humans have collected 
so much information 
that then remains as 
mere habitual thinking. 
To some degree, 
the Masters’ poetry 
helps to uplift us out of 
these self-induced webs 
of illusion.
The Tibetan yogi 
and teacher Milarepa 
often spontaneously sang 
in verse, employing 
metaphors of nature 
that could be grasped 
by the Tibetan Buddhists 
he taught. 
“Realizing the groundless 
nature of ignorance,
My former awareness, 
clouded and unstable
Like reflections of the moon 
in rippling water,
Becomes transparent, 
clear as shining crystal.
Its sun-like brilliance is 
free from obscuring clouds,
Its light transcends 
all forms of blindness,
Ignorance and confusion 
thus vanish without trace.
This is the truth 
I have experienced within.”
Guru Nanak, the first 
of the great Sikh Masters, 
was very fond of 
the teaching method of 
using verses and music. 
He would often recite 
his own verses 
in order to expand 
people’s consciousness. 
Accompanying him 
through his travels 
was the faithful Mardana, 
who played the rebab, 
a stringed 
musical instrument, 
as Guru Nanak sang. 
Drawings often 
depict them together. 
Guru Nanak was very 
fond of daily metaphors 
with meanings 
of the highest order. 
His words were originally 
in Punjabi, a language 
he is also credited 
with enriching through 
elements of Sanskrit 
and other languages. 
Guru Nanak himself, 
at his moment 
of enlightenment, 
uttered one concise line, 
“There is neither Hindu 
nor Muslim,” meaning, 
the experience of God 
is beyond religion. 
The experience of 
his enlightenment itself 
was indeed 
beyond any words. 
Yet, Guru Nanak knew 
the beneficial effect that 
devotional song and poetry 
might produce upon 
those sincerely yearning 
to be free.
 “Discipline is 
the workshop;
patience, the goldsmith;
the anvil, one's thinking;
wisdom, the hammer;
Fear, the bellows;
austerities, the fire;
and feeling, the vessel
where the deathless liquid 
is poured.
In such a true mint
is forged the Word, and 
those on whom He looks
do their rightful deeds.
Nanak says:
the One who sees, sees.
He observes.”
It was Siddhartha Gautama, 
or Shakyamuni Buddha, 
who once said 
that there are perhaps 
84,000 methods 
a spiritual Master 
might employ 
to enlighten people. 
This is according to 
how many different ways 
a person’s mind may 
need to be unravelled, and 
how many karmic bonds 
must be severed. 
Naturally, Lord Buddha 
concentrated his teachings 
in poetic words. 
Thus, the ground 
was made fertile 
for planting the true seed 
of enlightenment.
“Those who are slaves 
to passions, run down with 
the stream (of desires), 
as a spider runs down 
the web which 
he has made himself;
when they have cut this, 
at last, wise people 
leave the world 
free from cares, leaving 
all affection behind.”
Meanwhile, 
other spiritual teachers 
have used the poetic form 
to convey 
deep symbolic meanings 
that are rooted in 
the consciousness of many. 
The Mahabharata is 
a fantastic Hindu epic 
which was written 
millennia ago whose tales 
are deeply imprinted 
on the consciousness 
of many Hindus.
 
Perhaps it is why 
Indian guru Sri Aurobindo 
chose this culturally 
familiar love story 
of Savitri and Satyavan 
as the platform 
for his 12-volume, 
20,000-line epic Savitri.
The tale 
of Savitri and Satyavan, 
Sri Aurobindo explained 
is, “one of the symbolic 
myths of the Vedic cycle. 
Satyavan is the soul 
carrying the divine truth 
of being within itself but 
descended into the grip 
of death and ignorance. 
Savitri is the Divine word, 
daughter of the sun, 
goddess of 
the supreme truth, 
who comes down 
and is born to save.” 
Sri Aurobindo’s verses 
seek to uncover 
the veiled mysteries 
of the universe and 
the purpose of existence 
within its grandeur.
“Although he knew, 
still refusing to know,
Although he was still 
refusing to see.
Unshakeable he stood 
claiming his right.
His spirit bowed; 
his will obeyed the law
Of its own nature 
binding even on Gods.
The two opposed 
each other face to face.
His being like a huge fort 
of darkness towered;
around it her light grew, 
an ocean’s siege.”
In what appears to be 
the climax of the poem, 
Satyavan, who fights 
to remain attached to 
the negativity of his ego, 
eventually can only 
surrender to 
Savitri’s overwhelming 
universal light.
Rumi’s legacy is one 
not only 
as a great spiritual sage 
but also the producer of 
some truly treasured poems. 
The epic proportions 
of his universal wisdom 
are successfully conveyed 
into a language familiar 
yet with a scope of 
much greater magnitude. 
The deliverer allows us 
to see a glimmer of 
what heavenly place 
he has been.
“Separation 
from companions is unwise
Treading the path 
without light is unwise
If the throne and scepter 
have been your prize
Descent from prince 
to pauper is unwise.
For Beloved, 
the you in you is disguise
To focus on the you in you 
is unwise.
If once 
to heavenly abundance 
you rise
Desperation 
and impotence is unwise.
Hear the thief’s greedy 
and fearful cries
Fraudulent deception too 
is unwise.
Able-body, chains & 
shackles unties
Idleness of such a body 
is unwise.
Your foothold gone, 
your soul freely flies
Wingless & 
featherless flight is unwise;
Given wings, reach only 
for Godly skies
Flying away 
from God’s Will 
is unwise.
To you, phoenix, 
demise is mere lies
Phoenix running from fire 
is unwise.”
In our times, 
Supreme Master Ching Hai 
shares with us 
exquisite poetry that deeply 
inspires an elevated 
consciousness within.
Her verses 
from earlier years 
encompass 
the wide range of 
human life experiences,
traversing memories 
of past lifetimes 
and evoking longing 
for God’s solace 
and illumination.
Other poems express 
the heart of one who 
has finally found reunion 
with the Divine.
Still others lovingly give 
voices and sympathy 
to the beings, 
like the animals, 
the trees, the Earth, 
in their plights of despair 
and silent suffering.
People from 
diverse cultures, including 
artists, musicians, poets, 
and writers, have 
extolled and celebrated 
Supreme Master 
Ching Hai’s poetry 
for their generous
depth in meaning 
and richness in style. 
Moved by 
Supreme Master Ching Hai’s 
pure and heartfelt love 
in her lyrical expressions, 
many distinguished 
composers have 
set her verses to music, 
including 
American award-winning 
composers David Benoit, 
Bill Conti, Fred Karlin, 
Al Kasha, 
and Bob Kulick,
and legendary Aulacese 
(Vietnamese) composers 
such as Phạm Duy.
As our program concludes, 
we invite you 
to listen to the poem 
“Eternal Beloved,” 
composed and recited by
Supreme Master 
Ching Hai.
I descended to this world, 
searching for you
My eternal beloved, 
mired in this life of turbulence.
Sailing the boat of Perfect Wisdom 
through the turbid sea,
From the gate of birth and death 
to the purgatory!
I have searched for you 
in the land of Hades,
Eons have passed to near your traces, 
The beauty of your essence 
still pure within the soul
Yet in a fleeting moment, 
your whereabouts are unknown!
Where have you gone 
amidst the tangle of trails?
Do you remember 
a glorious incarnation beckoning?
An instant of illusory thoughts, 
thousands of ties arise
With this physical self, 
all solemn promises buried.
Flesh and bone immersed 
in the mist of the tainted shore,
The soul bewildered in this earthly realm
Each step astray in life's labyrinth,
The road back to the sacred land 
is farther each day!
I want to lead you beyond the clouds,
Where there are brilliant light, 
 
divine music, and lotuses in bloom.
Yet you remain lost in 
the kingdom of fantasy,
Since ancient times in royal capitals, 
 
bound to the wheel of rebirth still!
Know you not that I have arrive
By my side, always a pink lotus blossom
Waiting for you through countless incarnations, 
heart unwavering 
You promised to return, remember, my love?
Come to me just like in olden days
When creation was in a quiet slumber.
Through the vast cosmos, we’re in rapture
In the garden of the sun and moon, 
a promenade among the stars…
We are grateful to 
Supreme Master Ching Hai 
and all the Masters 
of the past and present who 
have shared with the world 
the most cherished 
messages from above, 
especially through poetry. 
May the verses 
awaken and comfort 
evermore souls 
in the special way 
that they do.
Thank you, loving viewers, 
for your company today 
on A Journey through 
Aesthetic Realms. 
Please stay tuned 
to Supreme Master 
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next after 
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May the Divine Word within
soothe your soul.